This is where the magic happens. Kodak has a lot of "poke" in his voice. High-pass filter at 120Hz to remove muddiness.
Kodak uses Auto-Tune not just for correction, but as a stylistic texture. Match the key of your beat (crucial). Kodak Black Preset Bandlab
Set this between 85% and 95% . You want the "robotic" flickers to be audible, especially when he hits higher melodic notes. 2. The Noise Gate Kodak’s tracks are usually very "dry" and clean. This is where the magic happens